From La Reina del Flow to Today’s Urban Scene: Carlos Heredia and Bry M. Release “Taurito”

 They analyze collaboration, identity, and the Málaga–Canary Islands music video that visually connects their personal and artistic places of origin

 By Susan Villa

 At a time when urban music is increasingly built through collaboration and the blending of identities, Carlos Heredia and Bry M. find themselves at a natural point of convergence. Two young artists from different territories—Málaga and the Canary Islands—who share the same musical sensibility and a contemporary vision of the urban genre, open to the crossing of influences, roots, and personal experiences. From that connection emerges “Taurito,” a song that functions not only as a single but also as a sonic portrait of unity, creative complicity, and shared projection.

 

 

 The track arose within the context of a songwriting camp at DN7 Music, a space designed for experimentation and artistic dialogue, where spontaneity plays a key role. There, both artists discovered that their styles not only fit together, but also complement each other organically, giving rise to an urban sound with Latin, commercial, and emotional nuances. The production by Kiño ultimately defined a fresh and current proposal, designed to connect with a broad audience without losing identity or authenticity.

 

 The release of “Taurito” is accompanied by a music video filmed between their places of origin, visually reinforcing the concept of the meeting between two worlds. Taurito Beach, which gives the song its name, becomes a symbol of that connection: a luminous, evocative space filled with images that dialogue with the narrative of the song. In this interview, Carlos Heredia and Bry M. reflect on their beginnings, the creative process behind the single, the value of collaboration, and the challenges of building an artistic career in a constantly evolving musical landscape.

 

 

1. How did your beginnings in music unfold, and when did you feel that this path could become a professional career?

 

 CH: My beginnings in music go back to when I was very young; I was already singing with friends at family birthday parties and so on. But the leap toward turning it into my professional career happened when I met DN7, who were the ones who helped guide and prepare me professionally, and today we have achieved it.

 

 BM: I started when I was very little thanks to the fact that on more than one occasion I saw my grandfather playing the guitar, and from that moment on I wanted to learn everything related to music. After spending some time participating in competitions, in 2023 I had the good fortune of finding DN7 Music, who have given me every opportunity to climb the first and most important steps of my musical career.

 

 2. What do you think the union of two territories and two different trajectories contributes to “Taurito” within today’s urban landscape?

 

 CH: The simple fact of the union of different types of cities and cultures already contributes a lot. I feel that the Canary Islands are like my second home, and we share quite a few similarities. Urban music with a touch of flamenco, in my opinion, has always blended very well, and it is a world yet to be fully discovered.

 

 BM: I think many artists from different territories have collaborated before, but the fact that Málaga and the Canary Islands come together in one track feels very special to me, because I feel there is a very strong connection between the people of Andalusia and our archipelago. In addition, the union between artists can only bring positive things to each one’s individual career.

 

 

 3. How did “Taurito” come about during the songwriting camp at DN7 Music, and what do you remember about that first creative moment?

 

 CH: Honestly, “Taurito” was born from an improvised composition between Bry and me, since we had never made a song together before. I think our styles work very well together when it comes to creating music, and our way of composing does too.

 

 BM: It was extremely spontaneous. We were together at the DN7 Music studios wondering why we still hadn’t made a song together, and that was when Carlitos and I began humming loose words over the melody that emerged for the chorus. We were able to finish the rest of the song the following morning, and we were very satisfied with the result of the demo.

 

 4. What has Kiño contributed as a producer in defining the Latin and commercial urban sound of the track?

 

 CH: He brought freshness above all, since the cradle of reggaeton is really Medellín, and he also added strength when creating the beat. He is a producer I respect very much.

 

 BM: Kiño has always been an expert at bringing the necessary freshness and flavor to a track. He added the punch and the flow that the original demo lacked. He is one of those versatile producers you know you can always count on whenever you need a well-made track, quite apart from the incredible human being that he is.

 

 

 5. What does it mean to you that the music video was filmed between your places of origin and that Taurito Beach gives the song its name?

 

 CH: Taurito Beach is one of my favorites in the Canary Islands. It turns out the name came from an improvisation by Bry, and it sounded so good to us that we decided to call it that. As for our places of origin, I really wanted to film in Málaga—I had never filmed there before and, so to speak, I was making my debut in the place where I was born.

 

 BM: At first, the idea was not to film in both places, but our artistic director, Tamara Ferreira, advised us that it would be very beautiful to do so, since in that way both of us would leave a little more of our origins in this song. I feel that the images speak for themselves and perfectly capture the concept.

The mention of Taurito Beach in the song is due to how charismatic it is and to the remarkable sunsets that can usually be seen from there; it seemed original and distinctive to us that it should be the title of this piece.

 

6. In a context of digital growth and international projection, how do you manage the pressure of connecting with an increasingly broader audience?

 

 CH: I have always said that music is for everyone, so the broader the audience and the more opinions there are, the better, because my intention is to reach the ears of every single person in the world. If they like my music, all the better; and if they don’t like it, that’s okay too.

 

 BM: Personally, I strongly believe that this “pressure” is the price to pay for the profession we have chosen. For me it is always beautiful to connect with the audience; in fact, it is one of my greatest dreams and objectives every time I release a new single, and “Taurito” is no exception—especially now that we play with the factor that Carlos’s audience discovers me and my audience discovers him.

 

 

 7. After the release of “Taurito,” what projects are you currently working on, and what can you share about the future of your careers?

 

 CH: I cannot reveal anything yet, since we are working on several things that very soon you will have in your hands—something veeeery fresh.

 

 BM: Personally, I can only say that this summer brings incredible vibes and that I have many projects that I am eager to show the audience. But for the moment, I feel that “Taurito” is a timeless song. I hope it continues for a long time being listened to and supported by our audience!

 


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