The Valencian band previews with “La Superficie” the universe of their upcoming album, a more organic, danceable and ambitious proposal
By Susan Villa
Six to Fix faces a new stage without renouncing the essence that has defined its trajectory for more than a decade. The Valencian pop-rock electronic band has built its own sound based on Anglo-Saxon influences, energetic guitars, and a danceable electronic style that recalls both contemporary references such as The 1975 or The Killers, as well as atmospheres inherited from the 80s and 90s. All of this shapes a proposal with personality, stage energy, and an expansive vocation.
After years singing in English, the group has decided to open a new artistic phase in Spanish, a transition that has already begun to take shape with singles such as “No me creo nada,” “Abre tus ojos,” and “La Superficie.” This latest track, which speaks about the different faces of life, sensuality, the strength of the sea, and the need to break internal barriers, will also give its name to the band’s upcoming album, scheduled for 2026.
Recorded at The Taxi Den studios and produced by Six to Fix alongside Pablo Solana and Malax, this new work consolidates a more organic, direct, and ambitious sonic evolution. With a trajectory backed by international recognition, presence in national media, and a live show that has taken them across stages throughout Spain, Six to Fix now opens a new artistic chapter with its sights set on the Spanish market and an increasingly solid and contemporary sound.
1. How do you remember your beginnings as a band and what led you to create Six to Fix?
It was kind of by chance. I was singing in another band and our keyboard player was in another group looking for a singer. He asked me to record a demo with them to make it easier to find a vocalist. But after a few rehearsals, we felt a connection and I decided to stay. Then the drummer and keyboard player left, and Adrián and Sergio joined. That’s when Six to Fix was formed.
2. After more than a decade singing in English, what led you to take the definitive step into Spanish in this new stage?
It’s something we had always considered. After so many years, we wanted to try something new and we rehearsed some new songs in Spanish. It turns out we liked them. And seeing that bands singing in English are somewhat sidelined in the Spanish music industry, we said: “Why not?”
3. Your sound recalls bands like The 1975 or The Killers. How have you managed to bring that essence to the Spanish audience without losing identity?
In the end, Anglo-Saxon music is what we have always listened to, and a large part of the Spanish audience too, so it is already part of our culture. Now, by singing in Spanish, the Anglo-Saxon sound is maintained even though the language changes, and it connects more with people by being in their own language.
4. What does “La Superficie” represent for you within the global concept of the new album?
The album includes a range of sounds that goes from rock to electronic music. This track, in particular, is divided into two parts: one more electronic and one more rock-oriented. In addition, the lyrics talk about two worlds, one on the surface and another underneath. So it shows the different sides of Six to Fix, something that is reflected throughout the whole record. That’s why it opens the album and also gives it its title, as it represents very well the different “worlds” of our universe.
5. You worked on this project with Pablo Solana and Malax. What has this collaboration brought to the final sound of the album?
First of all, they are two exceptional people and it’s a pleasure to work with people like that. A lot of laughter and, at the same time, a lot of learning. But if we add their musical background, it’s a luxury. Musically, they have helped make the album more organic, more guitar, bass and drums-oriented, although sometimes with an electronic layer. That gives everything a more human character.
6. Your live show has always been one of your trademarks. What can the audience expect from this new stage on stage?
We can say that the most common comment when someone sees us for the first time is: “Your music sounds even better live.” The music has more strength live and, as musicians, each person’s work is more appreciated. And regarding the show, we have always interacted with the audience and made them part of it, but for this tour specifically we have also prepared the live shows with Pablo Solana and our manager Anuskka, so it’s even better than previous years. Although there is always some improvisation, other parts are designed and prepared so the audience can enjoy it to the fullest.
7. What projects are you currently working on and what can you tell us about your next steps?
For now, releasing the album La Superficie and taking it to the stage. It is not the same to perform the songs live before people have heard them as it is once they know them, so that will be a new phase. And meanwhile, we are always thinking about new material or making acoustic adaptations. We will see when the time comes.
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